It's time for your movie to sound as good as it looks.

I've been doing sound for picture since 2002. I even out levels, clean up messy production tracks, sweeten dialogue and support your story with sound effects and music. On set, I strafe around with a boom pole like nobody's business, and I also do music playback for music video production. My credits are below. I look forward to adding your project to the top of the list.

music videos

Company of Thieves - Pressure [Letter Blue Productions] (2009)

  • Audio Playback for 16mm music video. (I also provided the vintage microphone the singer used throughout!)

Barenaked Ladies - Pollywog in a Bog [Letter Blue Productions] (2008)

  • Audio Playback for HD music video.

The Baldwin Brothers feat. Sarai - Matter Of Time [Letter Blue Productions] (2007)

  • Audio Playback, Sound Editor for 16mm music video with sync sound intro.

The Verve Pipe - Happiness Is [Letter Blue Productions] (2002)

  • Sound Editor for HD music video with sync sound intro.

narrative film

e.e. [dir. Diane Wiebe] (2012)

  • Location Recordist, Sound Editor for 16mm short.

Clothing Optional [dir. Jen Daniels] (2012)

  • Location Recordist, Sound Editor for HD short.

Act Naturally [dir. J.P. Riley, Letter Blue Productions] (2011)

  • Supervising Sound Editor for HD feature.

50 at 50 [dir. Etta Worthington, Fernwork Productions] (2011)

  • Supervising Sound Editor for feature documentary.

Positive Comment [dir. Jenny Hagel, produced by Zach Braff] (2010)

  • Location Recordist and Sound Editor for 16mm short.

The Meaning of Hemingway [dir. Ben Viccellio, produced by Zach Braff] (2009)

  • Sound Editor for 16mm short.

Girl Parts [dir. Erik Gernand, produced by Zach Braff] (2009)

  • Location Recordist for 16mm short.

Audience Award Winner [dir. Kipp Norman, Storyboard Productions] (2008)

  • Sound Editor for DV short.

Peeling It Off [dir. Matt Singletary, Hollowfool Films] (2008)

  • Location Recordist and Sound Editor for DV short.

The Peanut Gallery [dir. Diana Theobald] (2008)

  • Sound Editor for DV short.

Crush Me [dir. Steven Pukin] (2007)

  • Sound Editor for 16mm short.

Urbana [dir. Joshua Aaron Weinstein, Wet City Productions] (2007)

  • Sound Editor for DV short.

The Scar [dir. Brad Bosley] (2004)

  • Location Recordist and Sound Editor for 16mm short.

The Caseys [dir. Abby France, Studio 22 Productions] (2003)

  • Location Recordist and Sound Editor for 16mm short.

commercial / industrial

Ustream

  • Sound editor.

Apartments.com

  • Boom operator.

Heinz Ketchup

  • Boom operator.

Chicago Public Schools

  • Sound editor.

Equity Residential

  • Sound editor.

Kraft Bagel-fuls

  • Boom operator.

Nevin's Pub

  • Location Recordist, voiceover producer, sound editor.

Genesee Theater

  • Voiceover producer, sound editor.

Sultan's Market

  • Sound editor.

Chipotle Mexican Grill

  • Location recordist, sound editor.

Pontiac Cafe

  • Location recordist, sound editor.

McKinley Design

  • Voiceover producer, sound editor.

equipment

  • Pro Tools 9
  • Waves Gold plug-ins
  • OMF import capability
  • Self-contained 180-watt PA for on-set playback
The Pro Tools Edit window for Act Naturally.

My clients say it best:

"The audio is extremely clear and the film sounds (and looks) great."

- Erik Gernand, director, Girl Parts


"You pulled good audio out of places that I didn't even think it was possible. I think this is good to go for sending out to festivals."

- Steven Pukin, director, Crush Me


"I've been listening to the film over and over again. It sounds great. Having watched the film many times, I find myself now letting it run while I do other things just so I can hear the mix. Thank you for all your work."

- Joshua Aaron Weinstein, writer/director, Urbana


"You pretty much knocked it into the cheap seats on the first pass. Thanks again for the aural!"

- JP Riley, director, Act Naturally


"Thank you for all of the amazing work you did on my film this weekend. You were so incredibly focused and professional all weekend. And your positive attitude and your obvious enthusiasm for the filmmaking process made you an absolute joy to work with."

- Jenny Hagel, writer/director/lead, Positive Comment

mix4pix: Maya Kuper, sound for film and stage

SOUND BETTER

than you look.